Blade Runner 2049 (2017)

Blade Runner 2049 achieves the impossible. It’s a sequel to a film that never needed one, which manages not only to live up to its predecessor but in some ways improve on it.

Harrison Ford reprises his role as Deckard, with Ryan Gosling stepping into the lead role as new Blade Runner, K. Gosling is impressive as always and Ford manages his best performance since about 1997 or whenever it was Six Days, Seven Nights came out. Erstwhile Joker, Jared Leto puts in a solid turn as Niander Wallace, nefarious science guy, however the milky eyes and Japanese clothing showing Leto’s grasp of subtlety is still not quite there. The women in the film are all essentially plot devices, which I’m sure is a socio-politcal commentary on post apocalyptic sexism but just comes across as a bit lazy I suppose. That said, Robin Wright is bad ass, Mackenzie Davis is really good and Ana De Armas is INCREDIBLE as Joi. 

Cards on the table here. If you didn’t like Blade Runner, you’re not gonna like 2049. I was worried initially that a mega budget sequel to a niche movie (that initially flopped) would be a terrible idea. I love Blade Runner, the original, well the director’s cut. Or is that the Final Cut? Anyway. It’s a phenomenonal piece of work, but it’s the cinematic equivalent of a tone poem. It’s not a full of snappy dialogue or cool scenes. It’s sparse, dark and miserable and 2049 is exactly  the same but longer.  

Directed by Denis Villeneuve hot off the one-two punch of Sicario and Arrival, 2049 is an epic dystopian sci-fi tackling once again the themes of life, creation and death. I don’t think 2049 is as deep as it thinks it is, but it’s certainly a very good movie, especially complemented by Roger Deakins amazing cinematography. 

I’m going to completely avoid any story details, knowing as little as possible is definitely the best way to approach. Granted this makes it harder to explain why you should see the movie, but Blade Runner 2049 is an experience that shouldn’t be ruined. Especially for fans of the original, I can’t stress that enough. 

The score by Hans Zimmer and Benjamin Wallfisch is well suited, big droning synths creating  powerful walls of sound, I’m disappointed in myself for not seeing it in IMAX, where I’m sure I’d have been obliterated by the sheer volume. There was another composer working on the film, Villeneuve’s regular collaborator Johann Johannson, who left because the director wanted something closer to Vangelis’ score from the first film. I’d be very interested in hearing the discarded score, fingers crossed for a John Murphy style bootleg  release down the line!

 I can’t really drag this out without ruining scenes, performances or Easter eggs. If you like Blade Runner, this is going to be your jam. If you don’t, well Kingsman 2 and IT are still out and they’re both great too. For me, Blade Runner 2049 is one of the best films of the year, something nostalgic yet blazing it’s own trail into the future. I’m excited for Blade Runner 2079 already.

Rogue One: A Star Wars Story (Lucasfilm, 2016)

Directed by: Gareth Edwards 

Written by: Chris Weitz and Tony Gilroy from a story by Gary Whitta and John Knoll 

Starring: Felicity Jones, Diego Luna, Alan Tudyk,  Ben Mendelsohn, Riz Ahmed, Donnie Yen and Mads Mikkelsen. 

I’m going to level with you going into this review. I loved Star Wars as a kid. It was like a religion to me. I lived and breathed it. I had all the figures, I devoured the expanded Universe novels, comics, video games and I even read Star Wars magazine. 

Then we got the prequels and my love dimmed a little. It happens, we all have our phases. I still saw them all at the cinema on release day. First showing if possible. My love dimmed, but like how I feel about New Order, Diet Coke and Pop Tarts, my Star Wars love never fully left.


Last year’s The Force Awakens re-energised my feelings for Star Wars, as I’m sure it did for the rest of the planet. It was an exciting trip down memory lane with enough new bits peppered along the way to keep you hooked for Episode VIII.  Moving forward! Not back to suffer more needless stories we already knew the end to. 

I was somewhat hesitant about Rogue One, I’ll admit that. We didn’t need more prequels. Except, it turns out being a prequel freed up Rogue One to be it’s own thing. 
By having such a definitive end point, Rogue One has no choice but to make its characters and story interesting. It simply wouldn’t work otherwise. 
The story itself is remarkably streamlined, the engineer who designed the Death Star, Galen Erso, played by Mads Mikkelsen as a weary Oppenheimer style character, is forced to return to the Empire and finish his work. 

The villain who abducts him is played rather deliciously by Ben Mendelsohn, who is rapidly becoming one of my favourite actors these days. His daughter, Jyn (A stony faced Felicity Jones), is taken in by Rebel extremist Saw Gerrera (the incredible Forest Whittaker). After the defection of an Empire shuttle pilot reveals Galen’s plan to destroy the Death Star, a plot is hatched to get the plans and blow that hunk a junk out of the sky. 

The action scenes are huge and more importantly they all serve the story. A Death Star test on Jedha is uncomfortably visceral, while Donnie Yen taking out a platoon of Stormtroopers single handedly, hands a dose of martial arts realism to the Galaxy far, far away. 

Oh, Darth Vader is in it too. But I’m not gonna spoil that. Or any of the other cameos. 

What I liked most about Rogue One,  is that it felt like the Star Wars I knew as a kid. Gritty, dirty, lived-in worlds, characters with depth. This is a movie that works in tones of grey, not all the heroes are heroic and the villains aren’t one note mustache twirlers. 

To see the Rebels portrayed as killers and terrorists was a shock, how many blockbusters would let you see their main good guys murdering people and being devious. Nor would I expect to see one with as much sympathy towards its main villain. Diego Luna’s Cassian Andor is ostensibly our main male hero, yet is a bit of a dick at first, before winning both Jyn and the audience over. It’s a bold move but it pays off well by the climax. 

The diverse, ensemble cast is another factor in why Rogue One works. From Alan Tudyk as the hilarious (and badass) droid K2SO to Donnie Yen’s blind warrior, who while not being a Jedi is strong with the force, everyone just works. Riz Ahmed as Bodhi, the defecting pilot is also noteworthy. I’m a big fan of Riz, so it’s cool seeing him in a movie this size. 

It’s great seeing different ethnic backgrounds represented in a Star Wars film without them being heavy handed stereotypes. 

 I really felt a bond between the Rebel team, somewhat echoing  Saving Private Ryan. To be a total clich√©, it puts the war in Star Wars. Thematically, Rogue One goes back to the World War 2 films that inspired the original Star War and has more in common with the likes of Fury than it does Attack of The Clones. 

A lot has been said about the reshoots Rogue One underwent over the summer, but, it worked. Disney gambled and had another crack at the movie and it’s paid off huge. The story that got out was that Jyn was too arrogant and hard to empathise with. None of her “I Rebel!” stuff from the trailers made it into the finished film so maybe that is the case. I liked Jyn so the reshoots clearly did their job. I found Felicity Jones the right balance between world-weary and vulnerable. Never a princess in peril. Never needed rescuing. 

The creative team at Lucasfilm really do love the Star Wars universe, it’s apparent in all the care taken to ensure every new Star Wars project is perfect. If you enjoyed Rogue One, make sure you catch up with Rebels,  the animated series set around the same time frame.
For me, this is the type of Star Wars film I’ve waited my whole life for, and it goes in 3rd in my ranking of the movies. Behind Empire and A New Hope,  above The Force Awakens and Jedi. But this is on first watch. I feel it could rise on a second viewing. 

It’s a Star Wars film for the die hards, filled with easter eggs and pay offs, but more importantly, it works for people who’ve never seen any of the others. Which is why Disney is going to have huge success with the stand alone films. I can’t wait for Han Solo already. 
Rogue One: A Star Wars Story is out in Cinemas now 

The best Star Wars movie since 1983

For Fans Of :


Star Wars Episode IV 

Inglourious Basterds 

Star Wars Rebels 

Moana (Disney, 2016)

Directed by: John Musker and Ron Clements 

 Screenplay by: Jared Bush 

Starring: Auli’i Cravalho, Dwyane Johnson, Rachel House, Temeura Morrison and Jemaine Clement.

Songs and Music by: Mark Mancina, Lin Manuel Miranda and Opetaia Foa’i

Moana is the latest, animated, no doubt soon-to-be classic from Walt Disney Animation. Directed by the two guys behind The Little Mermaid, The Princess and The Frog and Aladdin,  Moana had high expectations laid out for it. 

The tale of a young girl, a High Chief’s daughter, dreaming of being able to leave her island and see the world. Moana herself, is probably Disney’s most well rounded “Princess” in, well, ever. 

Her story isn’t particularly groundbreaking,  but it’s told with such passion and heart, it’s hard not to become enraptured with Moana and her supporting cast. The gist, is that thousands of years ago, a demi-God stole the heart of a  life creating Goddess causing death and decay to spread across the seas. Moana has to disobey her father, find this Demi-God and save the world.

Of course, the Demi-God is the mischievous Maui, played with charismatic swagger by The Rock himself, Dwayne Johnson. His chemistry with the outstanding Auli’i Cravalho is what keeps the film so vital and energetic. Their banter and butting-heads makes you laugh and makes you cry, truly wonderful.

Moana’s grandmother, Gramma Tala, played by Rachel House was my personal favourite character and probably the best representative of the film as a whole, hilarious and bursting with a huge heart. Her songs are meaningful and move th story along. Like Yoda or Obi Wan, she dispenses wisdom to our young heroine.  

I couldn’t talk about Moana without mentioning the incredible songs by Lin Manuel Miranda and Opetaia Foa’i. I make no secret of my love for Miranda’s Hamilton,  which was why Moana caught my attention in the first place. 

The songs in Moana range from tribal island and traditional Pacific vocals, through Hamilton-esque ensmeble tracks, as well as the phenomenonal “Shiny” by Jemaine Clement from Flight of The Conchords. No spoilers on his part or the song, but fans of FOTC will be very pleased. 

For what most would see as a “kids film”, Moana is filled with sharp wit, great action and astonishing visuals.

In fact, Moana reminded me more of Mad Max Fury Road than it did the likes of Frozen or Tangled, both of which are great movies. You’ll see what I mean when the Kakamora, the little coconut armored pirates show up. Walking out of the cinema I was thinking to myself that it’s almost a Disney version of Clash of The Titans! The old, good, Clash of The Titans of course. 

Moana just feels on that next level. With Dwayne Johnson turning in a Robin Williams in Aladdin level performance, some truly outstanding songs and insanely good animation, Disney have proved they are head and shoulders above their competitors. 
Moana is easily in my Top 10 films of the year, I’m sure it would rank in yours too  

For Fans Of:


Mad Max Fury Road 



Flight of The Conchords 

Mascots (2016, Netflix) 

Mascots is the latest Mockumentary offering from Christopher Guest, comedy legend behind This Is Spinal Tap, A Mighty Wind and Best In Show. Making its debut recently on Netflix, it seems to have passed a lot of people by, which is unfortunate as Netflix is the perfect place for this type of gentle, cult comedy to find an audience.
 A faux-documentary centred around a fictional award ceremony, The Fluffies,  Mascots is chock full of great comedy actors, quirky characters and brilliant set piece gags.

Each Mascot is introduced with a talking head section and a little breakdown of their character. I don’t want to go into too much detail as this truly is a film that relies on the little moments. However, Chris O’Dowd as drunken hockey mascot The Fist, is a particular highlight  

Guest trots out most of his usual parade of collaborators, ( Jane Lynch, Parker Posey, Bob Balaban, Jennifer “Stiffler’s Mom” Coolidge and the ever wonderful John Michael Higgins) but it’s the newcomers who truly shine.  Zach Woods, last seen in the opening scene of Ghostbusters is very funny as Mike Murray, who constantly seems to want to escape his wife. The real stand out for me was Brit actor Tom Bennett as Owen Golly Jr, a Hedgehog football mascot from London, who initially came across as Ricky Gervais-lite,  before really winning me over. 
I feel like Christopher Guest’s movies are an acquired taste, some people can’t stand them, while others love his brand of improvisational mock-doc humour. I fall into the latter category. I enjoyed Mascots, I laughed a lot, I liked all the characters and while not on the level of Best in Show, Mascots is still very much worth your time.

For Fans Of :

This is Spinal Tap

The Office